There’s been a lot of hand-wringing recently about the effect that AI innovations will have on the craft of photography. Will generative AI and AI ‘auto fix’ tools at best, make photographers lazy about getting it right in camera, or at worst, destroy conventional photography (and even camera manufacturing as we know it) altogether?

While Adobe certainly wasn’t the first to push AI editing tools in its software (AI sky replacement has been a standard feature in Skylum’s Luminar for some time), the company’s size and influence makes it a focal point for a lot of criticism and concern.

After all, Photoshop remains the best-selling photo editing software in the world, and Lightroom has a massive user base too.

To address some of the concerns about AI directly with Adobe, I spoke to Robert Christensen, Senior Director of Product Management, Lightroom and Camera Raw, and Katrin Eismann, Product Manager, Learning & Inspiration. This came on the back of some interesting conversations with both at the recent Adobe Max event in the US.

How do you respond to worries that AI in the Lightroom ecosystem, including Lightroom Mobile on phones, will make photographers lazier about composition? Why think more carefully about what is in the frame, as AI can be used to remove ugly distractions? 

KE: As an educator and photographer with many years of experience, AI tools allow me to me to take the pictures I would have walked away from in the past. The ability to use Lens Blur (in Lightroom Mobile) to soften or Generative Remove to conceal distractions has me looking at the world with a fresh and empowered eye.

Now rather than ‘that scene is too cluttered or that object is distracting,’ I take the picture and use the AI tools to create the image I saw in my mind’s eye. More importantly, knowing what my tools are capable of – camera, lenses, and Lightroom allows me to visualise the final image before pressing the shutter and that is an essential skill we should encourage students to learn.

RC: Our goal with Lightroom is to help photographers do their best work by empowering them with the tools they need to create the moments that matter to them. All the tools we create – AI and traditional – are designed to address the major ‘pain points’ we hear from photographers. The AI tools can be helpful to reduce some of the more tedious aspects of photo editing like removing distractions.

This can still be done by hand, but it is very time consuming for many photographers. AI tools can also support photography (tasks) that are nearly impossible to do by hand like denoise a photo in a way that looks accurate to how the photographer saw it.

We often hear from photographers that Lightroom’s AI Denoise has been game changing and has helped provide them with the freedom and confidence to take shots they would have never done before, such as extremely high ISO shots of moving objects like hummingbirds or dimly lit settings like birds on a lake at dawn.

In summary, I believe that our AI tools in Lightroom help photographers have the creative confidence to take even more photos knowing that they can make adjustments later to remove visual distractions.

Conversely, do you see using AI to remove distractions as a better option than cropping, which can mess up the composition of an image or affect the file size/resolution?

KE: Tools like Generative Remove and Detect Objects allow people to edit their images by easily being able to remove distractions and imperfections. And Generative Remove is our most powerful remove tool yet, making it more seamless than ever to remove distractions in a single click for high-quality results in seconds.

The Crop tool is an essential retouching tool, and it works hand in hand with how I frame an image. It is a tool I use to improve an image – for example straighten a crooked horizon or remove distracting highlights from the edge of a frame. I also use the Crop tool to prepare my images for print and social media, which often requires different aspect ratios. It’s never about using a tool for a lazy fix – it’s always about using a tool to make an image more powerful.

What about AI-based ISO noise reduction tools – again, is there a risk that photographers will just get lazy about getting up early to get the best light, for example? Or add in a completely new sky as it’s easier?

KE: What we know as photographers ourselves, what we’re hearing as we engage with the community and what we firmly believe, is that AI will never replace the magic of human creativity and the enjoyment of the art of photography.

As photographers we want more time to be creative and to enjoy chasing the best shot. Tools like the latest innovations in Lightroom help photographers achieve this.

As for ISO, the contemporary cameras that support higher ISO settings, while delivering surprisingly good quality, have expanded the amount of time during the day and night that I can photograph. Now I am free to take pictures and with Lightroom Denoise, get remarkable results. If a photographer is dedicated to getting that early morning sunrise and golden light, they will understand that using a tripod and lower ISO will give them great results.

As for replacing skies, we’ve been doing that since the very beginning of photography when wetplate emulsions rendered skies as washed-out areas, and separate sky plates were used to create a sky. Technology allows us to create images in very different ways – some prefer in-camera exposures or an exposure bracket while others enjoy creating complex composites.

With AI lens blur getting very sophisticated, could it get to the stage where lens makers are less inclined to develop high-quality, fast glass, with great bokeh – as AI can do it and a lot of viewers can’t tell the difference?

RC: Dedicated lenses will always provide the best possible experience for professional photographers to capture their highest-quality photos. Professional photographers require dedicated lenses to naturally capture light and optical blur, which feels more authentic to the scene.

Using a dedicated lens also saves time, so that photographers do not need to edit their photos later on thereby saving a step. I continue to invest in lenses myself and love having the flexibility to change lenses to capture different goals like when I’m shooting landscapes.

In some cases, a photographer may forget to bring a lens in which case Lightroom can help achieve different types of depth effects to help me experiment with different types of looks.

KE: Camera manufacturers will build the lenses that the customer will buy – from inexpensive zooms to high-end primes. How a high-quality lens renders light remains magical and is part of a photographer’s toolkit to use to their best advantage.

Adobe is in a tricky position as it has to respond to AI innovations from rivals to stay competitive, but will it get to the point where you say ‘enough, already, AI is undermining photography as we know it?’

RC: Our view is that AI is a tool for, not a replacement of human creativity. We believe that AI can be developed responsibly, starting with respect for creators’ rights. This is why we launched support for Content Credentials across the entire Lightroom system [see more about Content Credentials here – Ed].

Photography always starts with a moment that took place in time in the real world. We are focused on ‘use cases’ that help better capture authentic moments.

While we are developing some capabilities that use AI, they are all focused on helping photographers save time and remove the tedious aspects of cleaning up photos. We’ve also been introducing many powerful innovations that do not use AI at all – including Point Colour, camera to cloud offload and integrations with other ‘clouds’ like Google Photos on Lightroom for the Web.

Our overall vision for Lightroom is to empower anyone to create stunning photographs, express their vision, share their stories and grow into better photographers. We’ve integrated AI into our tools in a safe way for creators to use and it is purpose built for the different apps, inspiring people to get out and get even more creative.

What do you think? Has Adobe allayed some of your concerns about how AI is being used to edit photos and its impact on photography generally? Share your thoughts and comments by emailing ap.ed@kelsey.co.uk or on our social media platforms.

The post Adobe interview: good lenses will always be best for high-quality images, not AI appeared first on Amateur Photographer.

At a glance:

• 24.5MP full-frame sensor
• ISO 100-64,000 (standard)
• Up to 14fps continuous shooting
• 3.69m-dot, 0.8x EVF
• 3.2in, fully articulated touchscreen
• 4K 30p video; 4K 60p (1.5x crop); Full HD 120p

Here’s what our reviewer Andy Westlake had to say about the camera: “For many Nikon users, the Zf’s faults will likely be outweighed by its very real charms. It’s the kind of camera that appeals on an irrational level, just begging to be picked up and used.”

The design of the camera harks back to the classic Nikon FM film SLR camera, but it’s fully digital, and compatible with Nikon’s impressive range of Nikon Z mount lenses. Read our full Nikon Zf review to find out if this camera is right for you.

*Prices correct at time of publication, and may be withdrawn at any time, please see retailer website to check prices. Amazon is a marketplace so check retailer ratings and feedback before buying.

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The post Award winning retro full-frame camera just dropped in price! appeared first on Amateur Photographer.

Advertising feature

Picture of the Week winners currently win a beautifully framed print of their winning image worth up to £100 from our 2024-2025 sponsors, ThisPicture.

Week 1: Solitude in the Shadows by Dobrota Viorel-Daniel

Canon EOS 70D, Canon 17-55mm, 1/80sec at f/4, ISO 100

‘We are living in a world where we are surrounded by big buildings, and we live in shadows and solitude. I have a big passion for this approach of photography, architecture with bold angles and the dramatic light is the perfect harmony of structure and stillness. I like simplicity and the light to tell its own story.’

Instagram: @danieldobrot

See our 2024 Picture of the Week winners:

Week 52: Duality by Julie Spokes

Fujifilm X-H2S, Fujifilm XF 18-135mm, 1/70sec at f/10, ISO 1600

‘One rock, two personalities. Enjoying a walk along a Cornish beach on a dark day, I noticed the rich, regal colours and folds of the rocks, sprinkled with golden sand. This particular rock displayed two distinct characters, which I’ve shown in this image in equal measure.’

Instagram: @julie_spokes

Week 50: Punctate by Will Plunkett

Nikon D850, Nikkor 24-70 F2.8 VR, 1/4sec at f/7.1, ISO 400, 70mm

‘This image was taken whilst exploring the woodland of Glen Affric. I stumbled across this scene and my eye was drawn to the juxtaposition between the green lichen and the bright orange leaves of the birch. I liked the way they were interconnected by the silvered branches.’

Instagram: @willplunkettphotos
Website: www.willplunkett.photo

Week 49: Autumnal Slumber by Amy Compton

Sony Alpha 7 IV, Sony 200-600mm F5.6-6.3, 1/50sec at f/6.3, ISO 500, 600mm

‘I was on an evening woodland walk in Lincolnshire, where I noticed this beautiful long-eared owl sleeping amongst the warm-toned leaves. After managing to find a small gap to focus the camera through and framed the subject nicely, I took a couple of photos and left the owl to continue its nap!’

Instagram: @amycomp123

Week 48: Poppies at Dawn by Chloe Miller

Canon EOS 7D Mark II, 70-300mm, 1/500sec at f/5.6, ISO 1000

‘I love the angle of this image and the level of detail it captures. The angle I chose was intentional, as it offers a perspective that highlights the subject and draws your attention to its most striking features. I was able to showcase the textures and form in a way that feels both dynamic and intimate.’

Instagram: @chloemillerphotography_

Week 47: Disconnection by Poultry_Motion

Sony Alpha 1, Sigma 85mm F1.4 DG DN, 1/4sec at f/16, ISO 800

‘Recently I’ve been feeling very lost with photography, why I take photos, what do my photographs mean and how I generally see the world. This photo is a combination of those lost and confused feelings that I have about life and how it can be beautiful but not make sense.’

Instagram & Twitch: @Poultry_Motion
Amie Hampsheir-Gill (Model): @Monamiepicsmodel
Lexi Woodhall (Stylist): @lexi_woodhall
Gracie Toms (Hair and MUA): @gracietoms.huma

Week 46: Interstellar Visitor by Goran Loncar

Canon EOS R6, Canon EF 16-35mm F4L and Move Shoot Move tracker. Sky: 10 photos, 120sec at f/4, ISO 1250, 16mm, Foreground: 3 photos, 196sec at f/4, ISO 2500 + 1 photo, 30sec at f/4, ISO 10,000. Stacked in Sequator and edited in Photoshop

‘Since I found out our interstellar visitor Comet C/2023 A3 (Tsuchinshan-ATLAS) was coming, I started planning where to catch it. This location is locally known as “Eagles nest” and was a perfect fit. On 22 October, a cloudless night finally happened and this photo was created! And yes, I almost fell down in a lake from that rock, it was a wild dance for few seconds.’ 

Instagram: @loncarphotography
Facebook: loncarphotography
Website: www.loncarphotography.com

Week 45: Ely Cathedral in Early Morning Light by Glynis Pierson

DJI Mini 4 Pro, 1/320sec at f/1.7, ISO 150

‘I’ve been capturing images of Ely Cathedral since I started using a drone just over a year ago. It’s a magnificent medieval building which is local to me and it looks fabulous from many angles. This was taken just after sunrise.’

X and Instagram: @glynpierson

Week 44: Loch Maree by Connor McLaren

Canon EOS 5D Mark IV, 24-105mm lens, 1/10sec at f/11, ISO 100

‘On my trip around the north of Scotland, I visited many spots for sunrise with varying success. Thankfully on the last morning of the trip I was treated with mirror reflections and mist above the water diffused with golden light.’

Facebook: ConnorMcLarenPhotographs
Instagram: @connormclarenphotography_
Website: www.connormclaren.co.uk

Week 43: Silver Shadow II by Fred Ostrovskis-Wilkes

Pentax SFXn, SMC Pentax-DA 50mm F1.8, Kodak Gold 200

‘I came across this striking old Rolls-Royce whilst walking through London and had to stop to take a few shots. There’s something beautiful about the marriage between vintage cars and shooting on film – they bring the best out of one another.’

Instagram: @fredshootsfilm

Week 42: Spread Your Wings! by Connor Hill

Sony A7 IV, Sony FE 200-600mm F5.6-6.3 G OSS, 1/800sec at f/7.1, ISO 1000

‘Willow warbler in flight at HazIeton Common. The best lesson I have learned in wildlife photography is that you simply cannot beat jumping in a hedge and having lucky timing when pressing the camera shutter. That said, luck only begins when picking up your camera and heading outside.’

Instagram: @Connor.Wildlife
Website: connorwildlife.wixsite.com/wildlife

Week 41: Cormorants at Sunset by Adam Spruce

Canon EOS 7D Mk II, Sigma 150-500mm, 1/1000sec at f/6.3, ISO 400

‘This photo was taken on a lovely clear evening at my favourite part of RSPB Titchwell Marsh in Norfolk. The location is a perfect place to capture beautiful silhouettes of cormorants together as they come in to roost. The sunset on that particular evening was so orange and created this beautiful shot.’

Instagram: @adamjspruce

Week 40: Cart 421 – Sassoon Dock by Hal Lomax

Fujifilm X100V, 1/800sec at f/2.8, ISO 160

‘Wandering through Mumbai’s vibrant fishing dock, I spotted this gentleman and his little friend just sitting and watching the chaos of the fish auctions behind me. Whilst pulling my camera out to compose the shot, I suddenly noticed the intricate art work behind and the cat looking up. I knew I couldn’t miss this moment.’

Instagram: @Walkswithmythoughts
Website: www.walkswithmythoughts.co.uk

Week 39: Sunsets at Papagayo by Kyle McKeown

DJI Air 2S drone, 1/80sec at f/2.8, ISO 100

‘After spending the day capturing the epic volcanic landscapes of Lanzarote, I finished the day down at Papagayo Beach for sunset. The bustling beach is the perfect place to watch the sun set over the horizon. The golden glow lighting up the sandstone beach, and the crystalline waters.’

Instagram: @kam.digital

Week 38: Kaleidoscope Vision by Shadman Sakib

Sony Alpha 7C II, Sigma 18-35mm F1.8 with MC11 adapter and kaleidoscope lens filter, 1/200sec at f/1.8, ISO 250

‘This portrait captures the model’s beauty through a kaleidoscope lens, creating a dreamy, layered effect that feels almost otherworldly. The soft lighting highlights her elegant white dress, delicate earrings, and necklace, while the shallow depth of field enhances her serene expression, making the image feel both intimate and captivating.’

Instagram: @sakib.shd_23
Model Instagram: @zymoon_jia
Agency Instagram: @basemodelsuk

Week 37: Geese in Flight by Louis-James Gasson

Sony Alpha 58, Sony DT 16-80mm F3.5-F4.5 ZA, 1/6sec at f/8, ISO 100

‘This photo was taking while on holiday near the Peak District. I was taking landscapes over a reservoir when a flock of geese took off. Using the settings for the landscapes I panned the camera to create the blur and give the flock a feeling of movement in the image.’

Flickr: www.flickr.com/photos/150115068@N08/

Week 36: Camassia Meadows by Jasmine Palmer Armstrong

Nikon D5600, Sigma 105mm F2.8 EX DG Macro, 1/1250sec at f/4, ISO 500

‘During a walk in Reading University’s Harris Garden, I captured ladybirds on camassias using a fast shutter speed to ensure that the photograph was sharp and in focus. My passion for photography began at 13, deepened during lockdown, and flourished with my first camera at 16 in college. Now, I take photographs everywhere I go.’

Instagram: @jasminephot0graphy
Website: jasminepalmerarmstrong.myportfolio.com

Week 35: Frozen in flight – Barn Owl at Dusk by David Robertshaw

Nikon Z9, Nikon NIKKOR Z 600mm f/4 TC VR S, 1/125sec at F6.3 ISO 1000

‘As the light faded just before sunset, I adjusted my shutter speed to 1/125 to capture the barn owl mid-flight. The result exceeded my expectations—its face is crisp and sharply focused, while the wings have a gorgeous motion blur, perfectly conveying the speed and grace of its flight.’

Website: www.DavidRobertshawPhotography.co.uk
Instagram: @yorkshireimages

Week 34: Layered Leaf by Effy Varley

Canon EOS R6, 24-70mm, 1/400sec, ISO 12,800

‘Whilst walking around the Yorkshire Arboretum, I was fascinated by the Jurassic-looking Gunnera Manicata plant. I placed myself on one side, looking through a hole munched away by an insect, and moved around until a leaf behind it came into focus, which created this double layered effect.’

Website: www.effyimages.co.uk
Instagram: @effyimages

Week 33: Taking Refuge by Daniel Fildes

Nikon D500, Sigma 10-20mm F3.5, Ikelite 200DL Dive housing, 1/1000sec at f/8, ISO 1600

‘While I was freediving off Hook Head, in the southeast of Ireland, I came across this compass jellyfish, drifting gracefully in the current. When I swam up to take a photo of it, I noticed a juvenile pollock seeking shelter inside the bell of the jellyfish. A beautiful symbiotic relationship.’

Website: www.dfwild.com
Instagram: @dfwild

Week 32: Red Dawn by Chris Thomson

Nikon D810, Tamron SP 24-70mm f/2.8, 8sec at f/11, ISO 50

‘This is Loch Fada, the Trotternish ridge and the Old Man of Storr on a cold, crisp morning in May. Once set up, composition and settings locked in, I waited for the sun to crest the small hill to the east and cast a warm sidelight. A small bank of cloud was rolling in fast with the potential to block the light I’d been patiently awaiting. Thankfully the sun crested before the clouds, giving me time to capture the scene I’d set out to get.’

Website: www.christhomsonphotography.com
Instagram: @chris.thomson.photography
Facebook: christhomsonphotography

Week 31: Stay on your Chosen Path by Lewis Jones

Sony A7 IV, Sigma 85mm F1.4, 1/800sec at f/3.2, ISO 200

‘Bath has some iconic architecture – ideal for photography. However, the quiet side streets can also provide some great photo opportunities. I enjoy capturing minimal compositions with just one subject, so upon seeing this person enter the street I knew I should wait a few seconds, compose and capture the shot.’

Website: www.lewisjones.photo
Instagram: @lewisjones.photo @lewisjones.wedding

Week 30: A Peacock’s Emerald Tapestry by Noah Crick

Panasonic Lumix G9, Sigma 60mm, 1/800sec at f/2.8, ISO 100

‘I had the opportunity to get really close to a peacock recently. I wanted to capture its intricate details and patterns rather than a typical full body shot, and I’m really happy with how it came out. I love the colours and the way they change as the light shifts, it’s just stunning.’

Instagram: @njd_photos

Week 29: Flanders Sundown by Clive Geary

Canon EOS R6, Canon RF 15-35mm F2.8 L, images stacked 1/6sec, 1/15sec, 1/40sec, 0.4sec, 1sec at f/16, ISO 400

‘I am a landscape and nature photographer, and this image is made from a stack of five different exposures to capture the full dynamic range. The name is inspired by the poem by John McCrae; the mass expanse of poppies here is truly beautiful.’

Facebook: clivegearyphotography
Instagram: @clivegearyphotography

Week 28: Natures Opulence by Mali Davies

Nikon Z7, 24-200mm, 1/640sec at f/6.3, ISO 64

‘A moment of checking the AyeTides app was enough for me to jump in the van and head over to Formby Beach, ideas popping and fizzing in my mind on the drive over. I was thinking the shots I’d get would be the incoming tide and sunset. Instead, I was hypnotised by the shifting sands blown by the strong winds of an incoming storm. During my time I also made a short abstract video of the sands, beach and sea, a wonderful evening created from couch to the beach.’

Website: maliphotography.co.uk
Instagram: @malidaviesphotography
YouTube.com/maliphotography

Week 27: Eye Level photo of a Great Crested Grebe by Hayley Jackson

Nikon Z6, Sigma 150-600mm, 1/500sec at f/6.3, ISO 140

‘On an early Saturday morning I spotted this great crested grebe swimming along. I was watching it for ages and then I had a moment where the grebe looked directly at me at eye level, and that was my chance to get the photograph. To this day, this is my favourite photo I’ve taken.’

Instagram: @hayl_photography

Week 26: Stormy Sunset by Alex John

Fujifilm X-T30, 18-55mm, 1/60sec at f/11, ISO 80

‘I go to St Mary’s quite often just to trial a few different compositions and techniques, all part of the process of becoming accustomed to the camera. I use weather apps as I did that day to decide if it’s worth going out; so I saw the storm coming in on the app and the direction it was going, so I had a rough idea which location I would shoot from.’

Instagram: @i.a.l.e.x

Week 25: Vulcan (No.6 in the Vulcan Series) by Linda Wride

Nikon Z 7II, Nikkor 24-120mm f/4 S, 1/320sec at f/10, ISO 2500, Aperture priority, Spot metering

‘This natural abstract with its diagonal composition of fracture lines, fine grain textures, contrasting shades of grey, and focal point of a small, egg-shaped pebble tucked into a recess, is one of my favourites from the Vulcan series of images, inspired by the volcanic rocks of Hálsanefshellir Cave, Iceland.’

1X Fine Art portfolio: 1x.com/lindaw
Shot by Women portfolio: www.shotbywomen.com/contributor/201/linda-wride
Instagram, Vero and Threads: @lindawride

Week 24: Arctic Elements, Part 2 by Gemma Rourke

Sony Alpha 7 III, Sony 24-105mm F4, 1/80sec at f/14, ISO 125

‘Thru-hiking the Kungsleden in Arctic Sweden, I witnessed raw elemental beauty combining to create images akin to paintings. While Lapland is often represented as winter white, there are other seasons that burst with vibrant palettes of colours and contrast. The blend of light and dark, greens and yellows, was truly inspiring.’

Instagram: @gemmarourke

Week 23: Raining Down on Dunstanburgh Castle by Peter Greig

Canon EOS R6 II, 15-35mm f/2.8, Hoya Starscape Filter, 3 landscape-format shots were taken to create a Vertorama in PTGui. 4sec, f/2.8, ISO 2000

‘With a very strong geomagnetic storm forecast on the evening of 10 May, my friend Lewis Brown and I headed to Dunstanburgh Castle. We arrived around 10:30pm, and saw a green arc in the sky running from east to west. We excitedly headed through the golf course and over the dunes to the castle. Once there, we could see the aurora overhead and in every direction. The best solar storm we’ve seen in the UK – a truly rare event.’

Instagram: @chameleon__360

Facebook: VirtualTourSpecialist

Week 22: The Way by Stewart Reading-Brown

Canon EOS R5, 70-200mm, 1/20sec at f/10, ISO 200

‘At sunset, the sun shone straight through the trees creating long shadows; I loved the way everything converged in the middle. I used focus stacking to ensure sharpness throughout and then added my signature editing techniques to create an ICM type effect to the tops of the trees.’

Website: www.srb.photos
Instagram: @srbphotos_
Facebook: srbphotos

Week 21: Fall Down, Spring Forward by Aden Howard

Canon EOS R5, Sigma 24-70mm F2.8 DG OS HSM Art, NiSi Ti Pro Nano Landscape Enhance Circular Polariser, 1/50sec at f/11, ISO 800 (six-image focus stack)

‘A 3am wake-up call and drive from Cardiff to Gloucester was met with a worthwhile find of this forestry covered in a scented carpet of wild garlic, for as far as the eye could see. It was definitely worth the tired eyes the following day!’

Instagram: @aden_howard

Week 20: Hornøya by Malini Chandrasekar

Nikon Z 8, Nikon Z 400mm f/4.5, 1/2000sec at f/5.6, 0.67EV

‘My first encounter with European shags certainly didn’t disappoint. Captivating and mesmerising, their dragon-like appearance, emerald eyes, iridescent plumage and quirky personalities allow for endless possibilities of creativity. I was privileged enough to get close to them in Hornøya, allowing me to capture intimate moments like this one.’

Instagram: @thunderboltphotography

Week 19: Shades Of Surfing by Scott Fisher

DJI Mini 3 Pro, 1/1600sec at f/1.7, ISO 100

‘I took this picture at Seaton Beach in Cornwall. The surf was clean, the sun shiny and the colours popping in those wave textures. Us surfers always say a wave is good if you are in the shade of the wave as it breaks, hence the title of this photo! I was in surfing myself not long after capturing this shot.’

Website: cornishdronephotography.co.uk
Facebook: cornishdronephotograpy
Threads: @cornish_dronephotography

Week 18: Curlew and Castle by Rachel Riley

Canon EOS 90D, Sigma 150-600mm F5-6.3 DG OS HSM Contemporary, 1/600sec at f/7.1, ISO 100

‘I was on my way to Holy Island one morning when I found the opportunity to photograph Bamburgh Castle in a unique way. There was such a variety of birds out on the causeway as the sea was clearing and this curlew was perfectly placed for me to photograph.’

Website: www.rachelrileyphotography.com
Instagram: @rachel_riley_photography

Week 17: Fight Scene by Lawrence Smith

Canon EOS 1D Mark IV, Canon EF100-400mm f/4.5-5.6 L IS II USM, 1/500sec at f/5.6, ISO 100

‘The Falkland Islands are wild and rugged and have myriad wildlife to watch, respect, enjoy and photograph. The location of this image offers opportunities to photograph southern elephant seals, and here, two juveniles are practising their fighting skills, which they’ll rely on in adulthood whilst protecting their claimed harem.’

Website: lawrencesmithphotography.co.uk
Instagram: @lawrence_smith_photography
X: @lawsmithphoto

Week 16: Milky Way and the Fairy Pools by Dave Lynch

Canon EOS R5, 15-35mm f/2.8 lens at 20mm, Foreground: 302sec at f/3.5, ISO 800, Sky: 20 stacked images at 10sec at f/3.5, ISO 6400

‘I escaped a cloudy Aberdeen for 24 hours to shoot this image of the Fairy Pools on Skye. I camped near to the pools and set my camera up for seven hours of star trails, went to bed then got up at 3.30am to capture this Milky Way shot when it was in its optimal location.’ 

Instagram: @daveloslynch38

Week 15: Llandudno Pier by John Wakeling

Nikon Z 5, Nikkor Z 24-120mm f/4, 2.5sec at f/13, ISO 100

‘This image was taken in Llandudno, north Wales, just after sunset in blue hour. I knew I wanted to make the pier the main feature for this photo, using the incoming tide and a long exposure to capture the water flowing between the rocks to make sure there was an interesting foreground.’

Instagram: @johnw_photograph
YouTube: John Wakeling Photography

Week 14: The Phone Booth by Ronel Khan

Leica Q2, Summilux 28mm F1.7 ASPH, 1/2500sec at f/1.7, ISO 100

‘Amidst the clamour of a busy Sunday morning in London’s Primrose Hill, silently stood two iconic red phone boxes. And in the quiet of the phone boxes, art was to be found.’

Instagram: @leicacharm
Model: @anjleebathia

Week 13: North Cornish Gold by Daryl McCabe

Sony Alpha 7 III, 70-200mm f/4, 1/500sec at f/4, ISO 320

‘This was a balmy January day in North Cornwall, with the rare combination of good waves and nice weather. I’d just got changed from surfing and noticed the golden glow hitting the cliffs, and one lucky surfer all on his own. I quickly grabbed my camera, ran down the beach, and fired off a few frames before the sun disappeared for the day.’

Instagram: @daryltmccabe
Facebook: Daryl McCabe Photography

Week 12: Freedom is Free by Sarah Plummer

Fujifilm X-T5, Fujifilm 35mm F1.4 R, 1/500sec at f/8, ISO 640

‘This is a go-to spot for many street photographers and I have spent many a time poised and ready “just in case.” This time poised and ready meant squatting in a puddle. I like the symmetry the reflection adds.’

Instagram: @sarahplummer._

Week 11: Ay Up Me Duck! By Wesley Kristopher

Nikon Z 7II, Nikkor Z 24-120mm S f/4, 1/1000sec at f/4, ISO 200

‘The Peak District is usually my proving ground for photography but when I heard a flock of ducks had taken to a couple of water tanks outside Sheffield City Hall I just had to investigate! It was fun playing with different angles whilst they were bobbing about. The effect of the tank and the distortion of their bodies under the water resulted in some interesting images.’

wesleykristopherphotography.com
Instagram: @peopleofthepeak X: @weskristopher

Week 10: Oh but you sure are always being watched; by your conscience by Abhay Desai

Sony Alpha A7 IV, Zeiss 55mm f/1.8, 1/320sec at f/1.8, ISO 1000

‘It was only during post-processing that the sudden revelation of the unexpected third eye left me feeling exposed and prompted introspection, echoing the wisdom of my Guru Pramukh Swami Maharaj. We stray and veer when alone, but our inner truth remains ever-observant, underscoring the importance of congruence with one’s conscience above all else.’

Website: www.abhaydesai.com
Instagram: @the_inordinary
Facebook Page: @the_inordinary
YouTube: www.youtube.com/@the_inordinary

Week 9: Sunday Stroll at the Queen’s House by Charles Chohra

Nikon D7500, Sigma 10-20mm, 1/10sec at f/3.5, ISO 100

‘The Queen’s House is a former royal residence in Greenwich built in the 1600’s. This picture was shot whilst lying on the ground using an ultra-wideangle lens – capturing a moment in time with a fellow visitor having a Sunday afternoon wander down the Queen’s House staircase.’

Instagram: @cityboy_photography

Week 8: Fiery Skies Over the West Pier by Michael Steven Harris

Nikon D780, Tamron 24-70mm f/2.8 G2, 240sec at f/11, ISO 200

‘Countless photos have been taken of Brighton’s West Pier, so it’s always a challenge to capture something unique. For this photo, I decided to take an ultra-long exposure of the final moments of an incredible sunset – the longer exposure time creating smooth waves of blended colour across the sky behind the static pier.’

Instagram: @michaelstevenharris
Website: www.michaelstevenharris.com

Week 7: Swerve by Lloyd Lane

Sony Alpha 7R IV, Sony FE 24-105mm F4 G OSS lens, 1/250sec at f/9, ISO 1000

‘During January and February, I often go down to Brighton’s Palace Pier to watch the starlings at sunset. On this occasion there was a low tide so I opted to photograph them from the beach; it felt like I was almost underneath the murmuration.’

Website: www.lloydlane.uk
Instagram: @lloydlanephotography
Facebook: www.facebook.com/lloydlanephotography

Week 6: A Reedbed’s Gentle Secret by Ashleigh Shreeve

Nikon Z 6II, Sigma 150-600mm Contemporary, 1/800sec at f/5.6, ISO 3200, 1.3EV

‘Taken during high floods, feeding at the reed seeds at Norfolk Wildlife Trust’s Hickling Broad Nature Reserve. Bearded reedling so, perched upon the swaying reeds, nature’s tiny king. A reclusive soul, master of camouflage, secret in the reeds.’

Instagram: @ashleighmae_photography

Week 5: Morning Frost by Kieran Morgan

Canon EOS 77D, Canon EF 100mm f/2.8 Macro USM + extension tube, 1/200sec at f/8, ISO 1600

‘My usual subjects are insects, which become very scarce in the winter months, so I took advantage of the morning frost in my garden. I was aiming to photograph the delicate ice crystals formed on this spider’s web. Picking a moment to fire the shutter when the wind was calm enough.’

Instagram: @kdm_macro

Week 4: Double Vision by Maruša Uranjek

Canon EOS R10, Canon RF 70-200 F4 L IS USM, 1/15sec at f/22, ISO 100

‘Morocco has been a great source of creative inspiration for me and where I discovered my passion for ICM photography (intentional camera movement). This image was taken in a palm tree oasis in the Draa Valley. It merges ICM with double exposure to mimic palm leaves overlapping in the wind.’

Instagram: @marusauranjekphotography

Week 3: Journey Through the Golden Hills by Charles Ames

Canon EOS 250D, Canon EF 50mm f/1.8 STM, 1/500sec at f/2.8, ISO 100

‘Photography is my escapism, and this impromptu Scottish Highland adventure away from university was no exception. I was incredibly lucky with the golden hour light during the train journey, which highlighted the contours of the hills beautifully. A wider aperture and manual focus helped to contrast the foreground, as well as allowing my camera to “see through” the dirty windows!’

Instagram: @charlesamesphotography

Week 2: Daytime Harmony by Maria McGrath

Canon EOS R7, Canon RF 100-500mm, 1/5000sec at f/8, ISO 3200

‘This was taken in the middle of the afternoon at Staines Moor nature reserve, where I witnessed this unique moment of two short-eared owls flying in synchronisation. I was photographing a passing kestrel when my attention was caught by these two owls who appeared, squabbling at first and then flying in close harmony.’

Instagram: @bizz2018

Week 1: An Autumnal Owl by Thomas Roberts

Canon EOS 5D Mark IV, Canon 500mm F4 L IS USM, 1/500sec at f/4, ISO 500

‘I set off with a fellow photographer to find this tawny owl. I’ve seen plenty of nice close-up images but with the leaves in wonderful autumnal colour I thought bringing them into the image with a slightly wider scene would help create something special!’

Instagram: @spottedthroughlens

How to enter AP Picture of the Week:

Tag us in your photos Instagram or Twitter @ap_magazine with the hashtag #appicoftheweek or email your best shot to us at ap.ed@kelsey.co.uk

Your photos can be taken on a digital camera, film camera or smartphone. All genres are accepted.

AP Picture of the Week sponsor: ThisPicture

ThisPicture.com is an experienced, high-quality framing company with a unique, easy-to-use website. Build single or multi-image frames with a few clicks of your mouse and select from a wide range of frames, window mounts and glazing options. Each frame comes with a three-year guarantee and FREE P&P within the UK. Visit thispicture.com

Related reading:

Best photography competitions to enter

Get Involved – Amateur Photographer

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The post AP Picture of the Week 2025 – Your best photos shared! appeared first on Amateur Photographer.

Price-wise the OnePlus 13 starts at $899.99 / £899 (256GB). It lands in hopes of being a direct competitor to the top flagship phones from Apple, Samsung and Google currently on the market, but at a cheaper price. Meanwhile, the 13R has been offered as a budget-friendly option without comprising on flagship features and performance. It sits within our budget smartphone category at $599.99 / £679 (256GB), and is a big step-up from the OnePlus 12R.

OnePlus 13

Notably, the OnePlus 13 is the first OnePlus device to achieve both an IP68 and IP69 rating. It is also powered by a Silicon NanoStack 6,000mAh battery, designed to last even longer, but also be lighter.

The partnership with Hasselblad continues in this model with a 5th-Gen Hasselblad triple camera set-up. New camera features include Dual Exposure Algorithm, Clear Burst and Action Mode, with fast-moving subjects in mind.

Key features:

• 50MP main camera, f/1.6, OIS, 1/1.4″ sensor
• 50MP 120° ultra-wide-angle camera, f/2.05, 1/2.75 sensor
• 50MP 3X Triprism Telephoto camera, f/2.6, OIS, 73mm focal length, 1/1.95″ sensor
• 32MP front camera, f/2.45, fixed focus, 1/2.74″ sensor
• 4K 60fps on all cameras including front
• 6.82inch screen, 1-120Hz dynamic, 1600/4500 nits, Ceramic Guard glass
• Silicon NanoStack 6,000mAh battery
• OxygenOS 15, Snapdragon® 8 Elite
• Colours: Midnight Ocean (Blue), Arctic Dawn (White), and Black Eclipse (Black)
• Price $899.99 / £899 (256GB), $999.99 / £999 (512GB)

OnePlus 13R

The OnePlus 13R is a big upgrade from the OnePlus 12R, with flagship level performance and AI technology at the lower price point. Improvements have been made to the battery and also the cameras. The main 50MP camera has a new Sony LYT-700 sensor and OIS, which excels in low-light conditions. It still has an 8MP ultra-wide camera but the 2MP Macro lens has been swapped for a 50MP telephoto camera with 2x optical zoom.

Key features:

• 50MP main camera, f/1.8, OIS, 1/1.56″ sensor
• 50MP telephoto camera, f/2, 2x optical zoom, 47mm equivalent focal length, 1/2.75″ sensor
• 8MP ultra-wide camera, f/2.2, 1/4″ sensor
• 16MP front camera, f2.4, fixed focus, 1/3.09″ sensor
• 4K 60fps video recording on rear cameras, 1080P 30fps on front camera
• 6.77inch screen, 1-120Hz dynamic, 1600/4500 nits, Corning® Gorilla® Glass GG7i, 6,000mAh battery
• Snapdragon®8 Gen 3, OxygenOS 15
• Colours: Nebula Noir (Black) and Astral Trail (White)
• Price $599.99 / £679 (only 256GB available)

January 7, 2025, NEW YORK – OnePlus, a leading technology brand, announced the global launch of the OnePlus 13 and OnePlus 13R. These smartphones are the company’s newest flagship devices, which combine upgraded camera systems with meaningful AI capabilities, refined designs featuring innovative materials, and refreshing colorways. The OnePlus 13 Series delivers powerful, reliable performance, creating a next-generation experience in photography, gaming, connectivity, and everyday use.

OnePlus 13: A Perfectly Crafted Flagship with Power to Spare

The OnePlus 13 features the Qualcomm Snapdragon 8 Elite, the most powerful Snapdragon Mobile Platform yet. The device also offers up to 16 GB of RAM for lightning fast performance, protected by OnePlus’ industry leading Dual Cryo-Velocity vapor chambers and powered by a Silicon NanoStack battery – the first OnePlus 6,000mAh Silicon NanoStack battery to ship worldwide. This allows the OnePlus 13 to deliver long lasting battery life while maintaining a slim, comfortable profile.

The OnePlus 13 is equipped with a powerful triple camera system, enhanced by OnePlus’ partnership with Hasselblad. It packs a 50MP Sony LYT-808 main camera, a 50MP Ultra-Wide camera and a 50MP 3X Triprism Telephoto camera which can capture shots at more than 10X zoom, thanks to its AI Telephoto feature. This device has also been tuned to take excellent shots at high speed, with its Dual Exposure Algorithm, Clear Burst and Action Mode to help take perfect photos of fast moving cars, people or pets.

This device features a range of OnePlus AI tools thanks to OxygenOS 15, the latest version of OnePlus’ legendary operating system. As well as making finding things easier than ever thanks to Circle to Search and Intelligent Search the OnePlus 13 can also deploy a range of imaging tools like AI Unblur, AI Detail Boost and AI Reflection Eraser – making photos even better. OxygenOS 15 delivers a smarter, smoother, and lighter user experience with countless tweaks and improvements over OxygenOS 14.

All this is displayed on a beautifully clear QHD+ 120Hz display, the first ever to be rated A++ by the experts at DisplayMate for unrivalled clarity, depth and natural colour. The display also carries the latest in technology designed to protect your eyes, achieving TÜV Rheinland Eye Care 4.0 certification, and Aqua Touch 2.0 which allows it to sense touches even through oily residue or sheepskin and woolen gloves. The OnePlus 13 is built to last; it’s the first OnePlus device to achieve both an IP68 and IP69 rating, making it an ideal companion for users who demand exceptional resilience. The OnePlus 13 also received a five star SGS Screen Reliability Certification and underwent multiple US military MIL-STD-810H grade product tests.

Finally, the OnePlus 13 embodies OnePlus’s commitment to premium craftsmanship in each of its three colorways – Midnight Ocean, Arctic Dawn, and Black Eclipse. The Midnight Ocean colorway is the first phone to feature microfiber vegan leather, offering a luxurious hand feel along with desirable resistance to corrosion and scratches; the Arctic Dawn colorway debuts an industry-first surface-based glass coating, creating a silk-smooth and fingerprint-resistant finish and showcasing the purest white on the market, which shimmers under sunlight.

OnePlus 13R: Extraordinary Performance for Everyday Wins

The OnePlus 13R is designed for users who want flagship level performance and AI technology but at a more affordable price point. At its heart is the Snapdragon 8 Gen 3 Mobile Platform, a flagship-level chipset, and up to 12GB of LPDDR5X RAM in North America. The device is powered by a 6,000mAh battery and protected by a Dual Cryo-Velocity vapor chamber.

The OnePlus 13R features a 6.78-inch 1.5K ProXDR flat display, and achieved a TÜV Rheinland Intelligent Eye Care 4.0 certification. It also has Aqua Touch 2.0 technology, and uses frame interpolation algorithms to boost supported 60fps games to 120fps, making for one of the best gaming experiences for titles such as BGMI.

The camera system on the OnePlus 13R has also taken a massive leap from OnePlus 12R. Its main 50MP camera, equipped with the all-new Sony LYT-700 sensor and OIS, excels in low-light conditions. The camera can also capture quick moments thanks to OnePlus’ unique Dual Exposure Algorithm. Complementing this is a 50MP telephoto camera with 2x optical zoom for sharp, detailed portraits; and an 8MP ultra-wide camera for capturing expansive scenes.

The OnePlus 13R shares the same design language as OnePlus 13 and is available in two nature-inspired colourways – Nebula Noir and Astral Trail. The OnePlus 13R is the first OnePlus device to feature Corning’s newly-developed Gorilla Glass 7i, engineered to provide superior scratch resistance and durability, on its front and rear. The OnePlus 13R is also IP65 rated, meaning it can survive all kinds of everyday challenges. It also has the same five star SGS

Screen Reliability Certification as the OnePlus 13, and has undergone the same US military MIL-STD-810H grade product tests too. Enhanced Connectivity and 5.5G Support The OnePlus 13 Series takes staying in touch to the next level, both with and without signal.

The OnePlus 13 and OnePlus 13R support Beacon Link, a feature that uses Bluetooth connectivity to allow devices up to 200 meters apart to operate as walkie talkies, perfect for activities such as hiking where network connectivity is limited. Beacon Link will be updated in summer 2025 enabling users to send messages over Bluetooth, too.

New Accessories to Stay Charged: Magnetic Case, Magnetic Charger, and On-The-Go Power Solutions

OnePlus also launched a range of accessories specifically designed for the OnePlus 13, including an all-new collection of Magnetic Cases. Each case is fully compatible with MagSafe accessories, offering comprehensive protection while preserving a slim and aesthetic design.

The AIRVOOC 50W Magnetic Charger provides fast and efficient wireless charging for devices equipped with magnetic functions, or using a magnetic case. With support for up to 50W wireless charging, OnePlus 13 can achieve a full charge in just 75 minutes, ensuring users stay powered throughout the day.

OnePlus Buds Pro 3: New Sapphire Blue and Enhanced Connectivity

Alongside the OnePlus 13 series, OnePlus introduces exciting upgrades for the OnePlus Buds Pro 3. Now available in a new Sapphire Blue colourway, the Buds Pro 3 perfectly complements the flagship series with a premium look.

The OnePlus Buds Pro 3 continues to offer industry-leading audio quality, featuring Hi-Resolution audio, real-time-adaptive noise cancellation, and a long-lasting battery. Expanding on these desired features, the latest upgrade introduces Steady Connect, enhancing Bluetooth connectivity to provide seamless audio experiences within a connection distance of up to 360 meters in India. Whether you’re listening to music at the gym with your phone securely stored in a locker, or taking calls at home while your phone is in another room, Steady Connect ensures an uninterrupted audio connection.

Building on their already impressive functionality, the Buds Pro 3 will introduce AI Translation in collaboration with the OnePlus 13 series, offering seamless convenience for everyday communication. In a bilingual communication scenario, one person can use headphones while the other person uses a smartphone with the AI Translation app for seamless conversation. These new features are available via the latest OTA update, ensuring an even better experience for all Buds Pro 3 users, especially when paired with select OnePlus phones.

Availability, Carrier Compatibility & Price

The OnePlus 13 will be on sale in the United States and Canada beginning January 7, starting at USD$899.99 / CAD$1,249.99. The OnePlus 13R will be on sale in the United States and Canada beginning on January 14, starting at USD$599.99 / CAD$849.99. The OnePlus 13 and OnePlus 13R will be available at OnePlus.com, Best Buy, Amazon. The OnePlus 13 and OnePlus 13R will be compatible on all major 5G networks in the U.S. – T-Mobile, Verizon & AT&T. Both devices will also be compatible on many MVNO networks in the U.S., as well as 5G compatible on Telus, Bell, Rogers and Freedom in Canada. The full listing of carrier compatibility can be found on OnePlus.com.

The OnePlus Buds Pro 3 Sapphire Blue colorway, as well as other accessories, will go on sale starting on January 7, 2025, only at OnePlus.com.

In the UK, the OnePlus 13 will be available from 7 January at £899 (256GB) or £999 (512GB). The OnePlus 13R for £679 (256GB).

Further reading:

• OnePlus 12 Review – a great all-round flagship
• OnePlus Nord 4 review: A good cheap phone but is it worth your time?
• Best Smartphone photos – Smartphone Picture of the Week

Follow AP on Facebook, X, Instagram, YouTube and TikTok.

The post OnePlus 13 Series now available globally – watch out Apple and Samsung! appeared first on Amateur Photographer.

UK retailer, Jessops, for instance has the Nikon Z7 II on for only £1,999 – a sizeable saving of £750!

In our original review, we praised the Nikon Z7 II as one of Nikon’s finest high resolution mirrorless cameras – ‘it is remarkably impressive and offers magnificent latitude when processing raw files…

The Nikon Z7 II is ‘an important refresh of one of our favourite high resolution full-frame mirrorless cameras and comes highly recommended.’

Nikon Z7 II key features

• Nikon Z-mount
• 45.7MP full-frame BSI CMOS sensor
• Dual EXPEED 6 image processors
• ISO 64-25,600 (expandable to ISO 32-102,400)
• 5-axis in-body image stabilisation
• 10fps continuous shooting (Single AF)
• 4K/60p video
• Dual card slots (XQD/CFexpress and SD cards)
• Weather resistant

Check out the other great deals below and don’t miss our guide to the best Nikon Z mount lenses.

The post ‘Highly recommended’ full-frame mirrorless camera plunges in price appeared first on Amateur Photographer.

If we look back at the history of recent OM System and Olympus cameras, we might be able to guess what’s coming next, but your guess would be as good as ours:

• OM System OM-1 Mark II – January 2024
• OM System Tough TG-7 – September 2023
• OM System OM-5 – October 2022
• OM System Olympus OM-1 – February 2022
• Olympus PEN E-P7 – June 2021
• Olympus OM-D E-M10 Mark IV – August 2020

From OM System: Bethlehem, PA, 6 January 6 2025 – OM Digital Solutions Corporation, celebrating the start of its fifth year of operations since splitting from Olympus Corporation, extends its heartfelt thanks to customers, stakeholders, and employees for their ongoing support. The company has experienced significant achievements, including the successful launch of the OM SYSTEM brand and continuous growth in consolidated revenue and profit.

As part of their commitment to enriching outdoor experiences, OM Digital Solutions is excited to unveil new products in 2025, including a new camera and a selection of compact, splash & dust-proof lenses designed for harsh outdoor environments. These products will open new avenues for creativity, enabling users to discover their artistic potential throughout their photography journey, while capturing the beauty of nature and life.

The company continues to grow beyond imaging, expanding with new solutions and services, all while staying true to its mission of delivering innovative, high-quality products for every outdoor enthusiast.

Explore the complete New Year’s message at: https://explore.omsystem.com/happy-new-year.

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The post OM System say new camera and lenses (plural) are coming in 2025 appeared first on Amateur Photographer.

UK retailer London Camera Exchange has an ex-demo model of the Canon EOS R5 onsale for only £2450, which is a big saving.

Although it’s an ex demo model, and has been handled by staff, you can be sure they have handled it carefully. And the camera still comes with the full two-year warranty.

In our original review, we praised the EOS R5 as one of the best cameras Canon ever made, singling out its high-resolution sensor and highly effective image stabilisation system.

‘It’s incredibly versatile, capable of churning out superb high-resolution landscape shots as it is capturing high-speed action sequences at a blistering 20fps with continuous AF. The Canon EOS R5 is an ideal candidate for portrait, wedding and documentary photographers, too, with its improved face/eye detection, and good for anyone who insists on a higher resolution output than the EOS R6.’

Canon EOS R5 key features

• 45-million-pixel Dual Pixel CMOS AF sensor
• DIGIC X image processor
• ISO 100-51,200 (expandable to ISO 50-102,400)
• 20fps continuous shooting
• 5,940 selectable autofocus positions
• 5.76-million-dot electronic viewfinder
• 8K/30P, 4K/120p, Full HD 60p video
• Twin card slot (CFexpress Type B and SD)

Check out more deals below and don’t miss our guide to the best Canon RF mount lenses.

The post We’ve never seen this full-frame camera so cheap – but hurry appeared first on Amateur Photographer.

Yashica City 200:

Panasonic recently released the Panasonic Lumix TZ99 / ZS99 – a pocket sized travel zoom camera with a Leica branded 30x optical zoom lens and USB Type-C charging port.

Related reading:

• Small wonders: best used compact cameras for winter
• Best Second-hand Classic Compact Cameras
• Vintage digital cameras you should actually buy

Follow AP on Facebook, X, Instagram, YouTube and TikTok.

The post Two new Yashica compact cameras as compact camera market continues to grow appeared first on Amateur Photographer.

Alicja Dyla, Samsung Galaxy S23 Ultra

‘I took this photo with my Samsung Galaxy S23 Ultra during an evening walk around Łódź, Poland. As soon as I saw these lights around me, I immediately grabbed my phone. I wanted to capture this combination of shimmering figures and an image combining history with modernity. I am mainly interested in landscape photography and architecture photography. I love capturing roaring waterfalls, the sun setting behind the horizon and the magic of nature, and since I am a construction manager by profession, I am also fascinated by buildings, both historical and modern.’

Instagram: @alicjadyla

See more amazing smartphone photos taken in 2024:

Franks Random Snaps, Xiaomi 13T Pro

‘I have been using the Xiaomi 13T Pro as my main camera until recently replacing it with the Fujifilm X-T5. Despite it being a smartphone, it has proven itself very capable time and time again. The picture above was taken during a walk around the Srebrna Góra fortress in southwestern Poland. It was a very foggy day and I had little hope of good views. Luckily, the sun began to shine through the misty forest that surrounds the fortress and boom – snapped this shot; I’m very happy with it!’

Instagram: @franks_random_snaps

Mark Stone, iPhone 16 Pro

‘This image was taken my iPhone 16 Pro on a short break to North Wales, not long after Storm Bert. It was amazing how the weather can suddenly change in such a short space of time. The sun was starting to set over the harbour so I grabbed my camera and tripod ready to see what developed. I always carry my iPhone with me and like to visualise the scene and make some initial test shots with, it. The cameras on phones seem to get better and better and I was amazed with the hand held results. Being able to shoot in raw is a bonus too. I’m usually a people/street photography person but, slowly finding myself drawn to things like architecture and landscapes.’

X: @grumpystone

Website: www.roamingstone.photography

Barbara Januszewska-Piróg, Samsung Galaxy S23 Ultra

‘This photo was taken with a Samsung S23 Ultra phone. I took it in Krakow on the first day of November. In Poland, we celebrate All Saints’ Day. We visit cemeteries and the graves of our loved ones, and go for walks. The weather was beautiful that day. A real golden Polish autumn. In the afternoon, during the golden hour, the light moving over the beautiful tenement houses of the old town created real magic.’

Instagram: @barbara_j_pirog

Adrian Kwiatkowski, Samsung Galaxy S22 Ultra

‘For many years I’ve been taking photos of the Samsung “S” series of mobile phones. I’m currently taking photos with the Samsung Galaxy S22 Ultra. This photo is from Sołacki Park in Poznań. It’s my favorite park at any time of year. Autumn leaves and morning mists over the pond are the best reward for waking up in the morning and taking a walk.’

Instagram: @kwiatkovski_

Michael Craddick, iPhone 14 Pro

‘A macro shot of a leaf of the “lamb’s ear” plant. I was struck by how the afternoon sunlight was not only illuminating the fringe edges but also glowing through the leaf itself. It speaks of the intricacy and infinite beauty of nature which we so often ignore or overlook. My photography is focused on finds ‘in nature’ and not studio compositions. We daily walk by such wonders if we would only take the time to see what’s in front of us; what’s all around us. And in seeing these wonders a whole new world is opened to us.’ 

Instagram: @bnw_mich

500px: mlcraddick

Simon Steiner, iPhone 14 Pro Max

‘I took these photos early in the morning on a sunny day at the end of September at Friedrichstrasse station in Berlin (Germany). On my way to the train, I happened to see the effects of the sun’s rays thanks to the architecture of the train station.  

It was one of those serendipitous moments you get when you’re out and about, looking at your surroundings also through the eyes of an amateur photographer.’ 

Instagram: @simon.steiner.photo

Fiona Winn, Samsung S23

‘This flower is called cosmos bipinnatus, commonly called cosmos and is native to Mexico. Its my favourite flower to photograph, they come in so many lovely colours. I took this photo on my Samsung S23 in my garden and the settings were 1/500sec at f/1.8, ISO 32 @23mm. When processing I cropped to square, added a glamour glow and a slight lens blur. I wanted the middle to stand out.

Photography is my hobby, I completed an online course and started experimenting with flowers especially macro. I always shoot outside on a bright day or with my light box indoors and an extra ring light. I like to capture all parts of the flower from different angles. I called this photo ‘Flower Power’ because its powerful and eye catching.’

Instagram: @fiona_winn_photography

Than Naing Oo, Tecno Camon 20 Pro

‘This photo is beauty of ray in the Bagan ancient pagoda. This captivating image showcases a silhouette of a monk standing within a dimly lit, ancient structure. A dramatic beam of light pierces through a window, casting a cross-shaped pattern on the wall and illuminating the figure’s flowing cloak.’

Instagram: @thannaingoo48

Sheik Sakkara Bava MS, OnePlus 9R with skyviksigni 75mm Macro lens

‘Rope has been used since prehistoric times.It is of paramount importance in fields as diverse as construction, seafaring, exploration, sports, theatre, and communications. Many types of knots have been developed to fasten with rope, join ropes, and utilize rope to generate mechanical advantage. Pulleys can redirect the pulling force of a rope in another direction, multiply its lifting or pulling power, and distribute a load over multiple parts of the same rope to increase safety and decrease wear.’

Instagram: @captured_the_image

Zahyr, iPhone 13 Pro Max

‘This image was taken on a recent trip to Japan and although I took many images with my camera I equally took quite a few on my iPhone 13 Pro Max.

I often look for yellow items as I believe they make a great colour contrast with strong shadows and in Japan you often come across these yellow Taxi and doubled with the zebra crossing makes an interesting dynamic image to me.’

Instagram: @zed_list

Lucrezia Herman, iPhone 14 Pro Max

‘I’ve been a keen photographer for over 25 years – since the appearance of affordable prosumer digital cameras. From the beginning, my favourite subjects were architecture and abstracts, usually in monochrome. Once I made the move to using my smartphone exclusively, I became even more captivated by texture and detail shots, and the play of light on metallic surfaces.

This photo of a Rolls Royce aerospace engine was taken at Derby’s Museum of Making, a real treasure trove of industrial objects. Other photos I took during a recent visit there – both mono and colour – can be found on my Instagram feed.’

Instagram: @lucdigital

Amane Takezawa, Xiaomi 14

‘I captured this building with a nice sense of nostalgia, which contrasts nicely with the rapidly evolving cityscape of Shinjuku, Tokyo. While DSLRs have their place, I appreciate the convenience of my smartphone. I currently use the Xiaomi 14, which offers flexibility and the ability to take high-quality images on the go. I’m a student and relatively new to photography, so I’m really happy to have been chosen as the Smartphone picture of the week! I will continue to work hard!’

Instagram: @ddhennna

Natalya Peshkova, Xiaomi Mi 10T Pro

‘This photo Time of Daisies was taken in my garden on my Xiaomi Mi 10T Pro. It is believed that hawthorn butterflies always appear in large numbers, but in our area I rarely meet them and not even every year. I like to take pictures through plants to get a more unusual background blur. Most often I use macro lenses, but this photo was taken with just a smartphone through the daisies in the foreground.

I learned about Amateur Photographer only this summer, now I read it for inspiration. More precisely, I don’t really read it – I send the translated page to the text-to-speech program and listen in my native language :)’

Instagram: @rapana_np

Daniel Sands, iPhone 15 Pro Max

‘A delay to trains on the underground meant the carriages were waiting at each platform for a long period of time – this presented a rare opportunity to see a platform without people so I was keen to capture the moment. The only camera I had was the one in my pocket – my iPhone 15 Pro Max, so I took a quick snap. Back home I edited the photo creatively to mirror one side of the frame to the other, this helped in the symmetry and helped exaggerate the “empty” feeling on the platform.’

Instagram: @dansandsphotography
Facebook: danielsandsphotography
Website: danielsandsphotography.co.uk
X: @sndsphotography

Fleur Schim, iPhone 14 Pro

‘I shot this noir scene on my iPhone 14 Pro, after a street photography workshop with Laurence Bouchard (@laurence_bouchard) in Tokyo, April, 2024. Tokyo was a great stage for street photography.’

I am excited to mention that this image had garnered a lot of attention in both Street Photography and mobile photography arenas:
Editor’s pick LensCulture  June 2024
Honorable Mention Mobiography 2024 @mobiography
PH21 Gallery Barcelona, June 2024 @ph21gallery

Instagram: @fleurschim
Facebook: fleurschim
Website: fleurschim.com
Flickr: Fleur Schim

Laura Moody, Samsung Galaxy S24 Ultra

‘I’m a photographer and a total tech geek, always on the lookout for the perfect shot to capture memories and moments that last a lifetime. Whether it’s a stunning sunset, a candid smile, or the intricate details of a bustling city, you’ll find me with a camera in hand, ready to seize the magic. My recent trip to Paris and Disneyland Paris was a dream come true, and I couldn’t stop snapping away at the incredible sights and vibrant atmosphere. From the beautiful set designs to the sun-soaked days filled with ice cream and music, every moment was a photo-worthy adventure. I love how photography lets me relive those wonderful experiences and share the joy with others!

Our trip was a whirlwind of fun and nostalgia as we embraced our inner children, enchanted by the captivating atmosphere and stunning set designs of the park. The sun shone brightly for most of our stay, adding a touch of warmth to our already joyful experience. We indulged in delightful treats, eating our weight in ice cream, and couldn’t resist dancing to the infectious music that filled the air. The beauty and whimsy of Disneyland Paris inspired me to capture countless photos on my Samsung Galaxy S24 Ultra, each one a testament to the enchanting moments we cherished. I will hold onto these moments forever.’ 

Instagram: @LauraFouldsMoody

Robert, Margaret Bertram, iPhone 14 Pro Max

‘I am a biologist and an award-winning nature photographer based in Nigeria. My work, starting since 2019, is inspired by her passion for nature’s beauty, scientific curiosity and nature’s therapeutic qualities. I have earned several accolades, including features in esteemed publications such as Malimbe in-flight magazine. 

Recently, I secured second place in the Wiki Loves Monuments (Nigeria, 2023) competition and received an appreciation award from Wikimedia Nigeria for her dedication and outstanding contributions as a member of the Jury team for the competition the following year.

This photo of a Dwarf (Light Pink) Chrysanthemum was taken on my iPhone 14 Pro Max.’

Instagram: @margiftasia_

Osei Kingsley Twum, Google Pixel 6

‘I am from Ablekuma, Accra-Ghana. By profession, I’m a video editor and graphic designer, but my heart beats for photography. It’s a passion that I dream of pursuing to its fullest. 

Until that dream becomes reality, I’ve found a unique and accessible way to capture the world around me: my smartphone. Someone once imparted a valuable lesson to me: you don’t need the fanciest camera gear to take stunning photos. Start with what you have, and in my case, that’s always been my smartphone.

My journey into photography began in 2021 after meeting Kwesi Arko, a talented wildlife and sports photographer. Despite his impressive camera gear, Kwesi showed me some breathtaking shots taken with his phone, a Google Pixel 3 XL. That moment was a revelation—I realized that smartphones could be powerful tools for photography too.

Since then, I’ve made it a habit to snap numerous photos each day, sometimes capturing a true gem. Here’s one such shot of my pet friend, Blue. Blue is a domestic shorthair cat, a common sight in Ghana, with at least one in every three households having one. These cats are incredibly reliable, capable of scavenging for their own food if necessary, and make wonderful companions.

This particular photo was taken with my Google Pixel 6. It’s a testament to the idea that with passion and the right perspective, even a smartphone can capture the essence of a moment beautifully.’

Instagram: @real_oseiking

Akinola Boluwatife, Tecno Camon 30

With a keen eye for detail and a passion for creativity, I capture the beauty in the everyday, the unusual, and the breathtaking. Smartphone photography is more than just a hobby – it’s my way of sharing my perspective, telling stories, and connecting with others.  I’m honored to be featured in the smartphone picture of the week and can’t wait to share more of my stunning images with the world.

Her beauty, strength, and grace shine through in this stunning image. Her confident gaze is to inspire us to embrace our own unique beauty and power. A true celebration of black womanhood!

Instagram: @akinolaboluwatife

X: @I_am_tife

Akinola’s image has also been entered into the #ShotonCamon competition with TECNO Mobile, under the Poetic Portrait category. Find out how you can submit your photos here.

Nerita Kairevičiūtė, Huawei P30 Pro

In the rye field was shot on Huawei P30 Pro. I took this picture last summer near my hometown Pabradė, Lithuania. I got interested in photography in high school. My art teacher suggested to take pictures of our country‘s architectural legacy. I took it more seriously when I sent a photo to a teacher’s photo exhibition at a middle school where I was working at the time and since then I’ve been taking photos when I go for a walk. I use my smartphone to take pictures because I don’t have a professional camera, but I think a phone is enough to capture a good shot. I’m best at capturing architecture, but I like to take photos in a variety of styles.

Instagram: @skorpioniskas.charakteris

Nikos Michalakis, iPhone 14 Pro

I am a photography enthusiast who loves photographing architecture, trying to capture the dramatic nature of it. I mainly shoot B&W. I work in Real Estate and my work gives me a good understanding of the challenges in delivering amazing architecture.

I take shots on either my iPhone or my Sony mirrorless. This photo was taken with my iPhone 14 Pro.

I walk through the City of London on a regular basis, and this day it was cloudy, foggy, rainy and the towers, using the wide angle feature on iPhone, gave this amazing illusion of disappearing into the clouds. I usually edit my photos on Lightroom on iOS.

I am currently in the process of setting up my website to showcase my photos and sell prints.

Website: www.1000lexis.co.uk

Instagram: @nikos.michalakis

Louise Rayner, iPhone 13 Pro Max

‘I use my iPhone 13 Pro Max more and more to take photos as I find the macro setting particularly amazing. I had a couple of white flowers left in a vase and when I placed them on the dark wooden floor, the contrast made the texture and outline of the petal shape so strong. I enjoy slowing down and use photography in a very mindful way which allows me to take images from different angles and appreciate the real beauty of the flowers.’ 

Instagram: @louiseraynerphotography

www.louiseraynerphotography.com

Steve Redburn, iPhone 11 Pro

‘This photograph was taken with my iPhone 11 Pro on a rainy day at Horizon 22. It’s a public viewing platform on the 58 floor of 22 Bishopsgate London. Due to the rain and mist obscuring a close up shot through the windows I stepped back and fortunately got the great sense of space and height. The figures giving some perspective to the size of the windows and the tip of Shard gives the height and depth . The shot was using the 52mm telephoto lens at F2. I used Snapseed to edit the picture.

Changing to black and white and brought down the shadows and highlights to reduce the window reflection, also to get the figures in silhouette . I am a retired London Paramedic and now have plenty of time to follow my passion of photography.  I have no particular style or subject preference but click what I find interesting and share on my Instagram.’

Instagram: @redders54

Julian & Brie Greene, Samsung Galaxy S23 Ultra

‘We’re Julian and Brie, we love to travel and see all that nature has to offer. Over the years we have always tried to capture our travels through photographs and keep them on Instagram as a digital scrap book for ourselves and other to enjoy. This image was taken on a Samsung Galaxy S23 Ultra from the old family cabin in Northern Manitoba, Canada. I’ve never seen the Northern Lights so vivid and active in all of my life. We were lucky if was a clear night and I’m thankful that my phone was able to do it all justice. We’re more than happy to share our pictures with others and have people follow along on our adventures through Instagram.’

Instagram: @jgreene81

Germain Piveteau, iPhone 12 Pro Max 

‘I’m a French photographer and I have been passionate about photography for over six years. My journey into the world of photography began humbly, capturing moments with my phone. It was the start of an adventure that deeply inspired me to explore the creative possibilities offered by smartphone photography. 

What fascinates me most is getting back to basics: harnessing the power of today’s phones to create striking images. I firmly believe that photography is not just about sophisticated equipment, but rather about the photographer’s eye and their ability to capture emotion and beauty in every shot.

Over the years, I have honed my technical and artistic skills, experimenting with various styles and techniques. Every photo I take is a new exploration, a quest to capture the essence of the moment.

I am excited to share my passion with other photography enthusiasts and to inspire those who wish to embrace this captivating art. Join me on this visual journey, where creativity meets technology to bring stories to life through the lens of a phone.

The photo was taken with an iPhone 12 Pro Max, using the amazing ReeXpose app from Reeflex.’

Instagram: @germain.piveteau 

Victoria Fox, Samsung Galaxy S24+

‘This photograph was taken on the way home from a trip to Manchester, after spending the day walking around the city taking photographs of street life. I noticed the way that the carriage behind the tram I was on was reflecting on the window and used my Samsung Galaxy S24+ to quickly capture the image. Seeing the reflection within the window grabbed my attention with the raindrops on the window showing the gloomy Manchester day. The photograph was then edited into black and white with a slight grain added to give a film-like feel.

Even though this photo was a quick shot using my phone, my real love is film photography. I have recently found my love for street photography, capturing the candid, everyday life within a bustling city shows the natural side of life. I find that using film allows me to stop and think about the importance of each frame. I still enjoy using my DSLR as well when going on quick trips into the city center.’

Instagram: @framed.film_

Anthony Young, Xiaomi 14 Ultra

‘This was taken on my Xiaomi 14 Ultra. It was one of those shots when I thought the cat would move as soon as I took my phone out, thankfully the cat enjoyed the attention, posing for several shots and didn’t seem at all bothered by my attention.’ 

Instagram: @Campervanphotography

John Crosby, iPhone 15 Pro

‘This photo was taken on my iPhone 15 Pro with the use of RAW Max. I have been challenging myself to take a photo a day and this photo is day number 558. I was at Sasamat Lake, which is about 30 mins outside of Vancouver, Canada – an easy escape from city life.  This particular weekend is traditionally grey and rainy, but today was going to be different.  It started with the usual grey skies and low cloud, but as the sun rose, things began to clear up.  I love this photo for a few reasons, but mostly the story.  The clouds are still there, but now they are fighting with the golden sunshine for the narrative of the day.  The battle lasted for about 20 minutes before it became sunny and clear.’  

Instagram: @johncrosby_photo

Alex Russell, Google Pixel 6

‘The photo was taken on a trip to London, totally a case of right place, right time to catch the late afternoon light on the Center Point building on Tottenham Court Road. Quick adjustment in Lightroom afterwards, and here we are! I’ve always been into photography but like so many others only really taught myself how to edit during lockdown in 2020 when I finally had time on my hands on furlough. 

I mainly post to Instagram and share a whole range of styles and genres depending on what takes my eye and brings me (and hopefully others) joy.’

Instagram: @alexrussell_photo

David Queenan, iPhone 15 Pro Max

‘This is my local pier and it’s only a five-minute walk from my house, which means I can nip over when conditions are good, and I can time my visits to coincide with a high tide – which is needed if you want the water to reach all the way to the bottom of the frame. I recently upgraded my old iPhone 8 to a new iPhone 15 Pro Max and I was keen to put the camera test along with a new app called ReeXpose, which allows you to use the iPhone to create a long exposure effect. Although it’s not technically a true ‘long exposure’ as the camera actually takes a series of short exposures, which are then blended by the app before delivering a final image, you still need a tripod to ensure any static elements in the frame are rendered sharp. Further editing in Photoshop was then done to remove the land on the horizon to give the image a minimalist ‘fine art’ appearance.’

Website: www.dqphotography.com
Facebook: DavidQueenanPhotography
Instagram: @davidqueenan
X: @davidqueenan

Krutika Balsara, iPhone 12 Pro Max

‘This photo is entitled ‘The Spectacular Glass Roof’. The famous Bollywood movie song scenes were filmed at The British Museum. The scenes depict the Museum as a collage and the interior looks beautiful, inspiring me to visit the Museum. However, for me, the most beautiful part of this Museum is the glass-roofed, sparkling white Queen Elizabeth II Great Court. I photographed this perfect architecture from the museum’s upper floor and loved how the light came through the glass roof, with the sunlight hitting the side of the wall. This photograph was captured on an iPhone 12 Pro Max with an ultra-wide-angle lens of 13mm, 1/100sec at f/2.4, ISO 32, to capture the entire area of the Great Court and The Glass Roof.’

Instagram: @splitframephotography

Edward Rumble, iPhone 13 Pro Max

‘These lovely fishing huts, known as Carrelets, are a common feature off the Western coast of France between the estuaries of the Gironde and Loire. I discovered this little grouping near Pornic; the outer two huts, each facing away from the middle, gave a very pleasing balance to the composition. However, gale force winds and rain blowing directly inland from the sea made tripod mounting a camera totally impossible. Smartphone to the rescue, I was able to brace against the conditions and experiment with the long exposure feature to capture the image I had in my minds eye. Thankfully the digital file was good enough to allow a little judicious dodging and burning in Photoshop to enhance detail and contrast.’

www.edwardrumble.com

Instagram: @edmrumble

Andy Bowden, iPhone 12 Pro Max

”The Early Morning Line-up’ was taken from standing on the Newport Pier in Newport Beach, California.  It was the setting of the first just past full moon of the year under clear skies, (it was cloudy the day of the full moon so I had to make do with an ‘almost full moon’ shot). 

I walk the beach and the pier most mornings and am always looking for unique photo opportunities that highlight beachscapes with an emphasis on Newport Beach and the surrounding area.  This is part of my ‘Life In A Beach Town’ series that I’ve been compiling for my own personal enjoyment and amusement.  I try to post these photos to my own personal Facebook page as well as the Newport Beach Facebook page. 

I took the photo using an iPhone 12 Pro Max and edited and enhanced it using both Snapseed and Lightroom.’

Instagram: @bowden.andy

vmotd, Google Pixel 6 Pro

‘My work is under my artist name vmotd. I’m based in Dublin, and I shoot everywhere – this picture was taken on an earlier smartphone of the Google Pixel series, the Google Pixel 6 Pro.

vmotd is spearheading the democratisation of photography through smartphone tech. 

The monochrome images eloquently capture the interplay of light, lines, and shapes in spontaneous, minimalist compositions. With a tongue-in-cheek nod to classic photography, they explore the beauty of architecture and contrast, with their angles, frames, and composition. vmotd’s work often returns to minimalistic, architectural frames with high contrast, showcasing their eye for structural beauty. In vmotd’s words “The choice of what you fill the finite space of a frame with is entirely yours. That choice though reveals everything and often more than you care for.” 

In this poignant image, the urbanite has travelled to the seaside, standing alone on a pier. The figure is relaxed, however they’re not escaping urban angst on the boardwalk, with the vast ocean on one side, and the inevitable crushing city scape on the other.’

www.vmotd.com

Instagram: @vmotd

Anna Frączek, Samsung Galaxy S23 Ultra

‘Mobile photography is something that brings me great joy. The fact that I have photography equipment with me at all times makes it easier to develop this recently discovered passion. Thanks to this, I can capture every moment. This was also the case in Agafay Desert, Morocco. When I saw a caravan in the distance, I took out my Samsung Galaxy S23 Ultra phone and used its 10x zoom. I captured the vastness of space and how in this space people are like particles of sand in the desert.’

Instagram: @anna_world_behind_my_glasses

Muhammad Qureshi, iPhone 13 

‘Battersea Power Station on cold Sunday morning at the end of January provided the most amazing subject for my photo. I always look for a different perspective when taking photos and for this one the water feature provided a “reflective” perspective. After several attempts, I finally found the right position, midway from the edge of the water feature, just as the sun was emerging around the corner and through the broken clouds. I like using the phone upside down when taking photos, so I can capture depth but also the subtle ground textures or in this case the mirror like reflection of the water.

I love the deep orange colour of the power station bricks, the emerging purple sky and the orange/yellow glow of the sun on the one hand but then the modern glass structure provides a twist!

I’m an amateur photographer in the true sense of the word as I only started learning the skillset in October 2023. Every weekend, I go out and try to find interesting photography subjects. This weekend it was London, last weekend it was Zurich, Luzern and Engelberg in Switzerland! My portfolio is slowly developing on my Instagram account and I’d love to win some prestigious awards and hold an exhibition soon – perhaps being selected as the smartphone picture of the week by Amateur Photographer is the first step!’

Instagram: @jetsetter007_

Andy Parker, iPhone SE

‘Taken in Saint Mark’s Square in Venice, I used the phone upside down on the ground to get a strong sense of depth and include both foreground and background features. Framing the bell tower though the arch, I waited for people to walk past to create the silhouettes of the figures. It was a bit experimental, but when reviewing the shots, I really liked the resulting shapes of the coat and legs, the angles on the tower, the round light and the archway, but also the abstract reflection on the worn marble, which all give the image lots of interesting visual elements.

Although a big fan of the mirrorless camera (Fujifilm X-series) the iPhone is now my everyday, carry-around camera, given the incredible image quality, and I currently use the iPhone SE (2022). I shoot using the Adobe Lightroom Mobile app as that allows me to capture in RAW and edit in phone using my own black and white presets. A huge fan of monochrome, I shoot almost exclusively in black and white and Venice, for me, is the perfect subject for shooting monochrome given the interplay of light, shadow and reflection. I showcase this with a website and Instagram account dedicated exclusively for my shots around the city.

Originally from the UK, I live and work in Venice as an English teacher, and photography remains a passion rather than career, but it is becoming more and more important in my life.  In fact, I have my first solo exhibition in Venice of over 30 images coming up from 10-23^rd February focussing on the beauty and mystery of the venetian fog (or ‘caigo’ in local dialect). So if you’re in Venice for the end of carnival, please pop along!  This exhibition will also include a few shots taken on iPhone, so it just goes to prove that old adage: ‘the best camera is the one you have on you’!’

Website: www.monochromevenice.com

Instagram: @monochrome.venice @andyparker.photo

James Ward, iPhone 13 Pro

‘The image was taken on my iPhone 13 Pro at Gellért Baths in Budapest on a recent trip there with my wife. It is a fabulous place to visit when in Budapest because of its Art Nouveau architecture and is one of the most historic and famous of Budapest’s thermal baths. I loved the symmetry of the indoor pool, the soft light streaming in through the glass roof and the beautiful blue hue of the waters. Taking a dip in the warm water wasn’t bad either…’

Instagram: @ward_jr

Roberta Savi, iPhone 13

‘I live in Mantova, Italy and this was taken with an iPhone 13 in Bardolino, at the lakeside promenade of Garda Lake, last summer, during a sunny day. I usually take analog photos with Nikon FM2 but sometimes I use the phone.’

Instagram: @ro.flug

Submit your photos

Want the chance to feature here on our website and across our social media? All you have to do is share your smartphone photographs on social media with the tag #APSmartphonePicoftheWeek. You can also send in photographs to ap.ed@kelsey.co.uk with “Smartphone Pic of the Week” in the subject line. Photos can be taken on any camera phone.

iPhone vs Android: Which is better for photography? We’ve rounded up the best camera phones for photography and the best camera phones you can get on a budget here.

Read our smartphone reviews here: Smartphone Reviews

See more smartphone photography guides:

How to take amazing portraits on a smartphone

Black and white smartphone photography guide

How to take great macro photos on a smartphone

Best camera phone accessories

11 best smartphone photography apps to download now

Further reading:

• AP Picture of the Week 2024 – Your best photos shared!
• Best photography competitions to enter
• Get Involved – Amateur Photographer

Follow AP on Facebook, Twitter, Instagram, YouTube and TikTok.

The post Your best Smartphone photos 2025! – Smartphone Picture of the Week appeared first on Amateur Photographer.

You can now get the entry level Nikon Z5 with the 24-50mm kit lens for just over £1000 on Amazon UK. This is a tempting money-saving starter package for those moving up from APS-C or Micro Four Thirds sensor cameras, or smartphones.

As we said in our original review, the Nikon Z5 is definitely not cheap and nasty. The camera has the excellent handling of the Nikon Z6 II and Z7 II, offers great build qualtiy for the price, packs dual SD card slots and performs very well with the huge range of affordable F-mount SLR lenses (via the FTZ adapter), giving you the best of both worlds.

Nikon Z5 key features

• 24.3MP full-frame CMOS sensor
• EXPEED 6 image processor
• 5-axis in-body image stabilisation (IBIS)
• 0.5in, 3,680k-dot OLED EVF
• 3.2inch tilting touch-screen (1040K)
• 4.5fps burst shooting
• 4K, 30p video recording (cropped)
• Dual SD card slots

Check our more deals below and don’t miss our guide to the best Nikon Z mount lenses.

The post Go full-frame this new year, with this very good deal appeared first on Amateur Photographer.